Erotic Stained Glass by artist Tolomelli
An interview with artist Diego Tolomelli about his art and working process. His art can be labeled soft Erotic Gay Art , and guys are clearly his inspiration. Stained glass is maybe not the first medium you would expect in relation with erotica, but this artist works with this technique solely.
Your erotic work seems to have evolved besides your non-erotic and even religious stained glass projects. How different is it to make these pieces?
Stained glass is so connected to religion, especially churches and images of religious figures, is there a symbolic relation between those works and your erotic glass pieces?
Later, colors and painting were used in stained glass. The church used this opportunity to create images that communicated its religious messages to the illiterate masses. The same iconography that was used in religious paintings was used in religious stained glass. Stained glass does not belong uniquely to the church; although, the church was by far the largest patron. In medieval times, castles and important residences used the same technical solution to covering their big windows and here with the advent of colors, heraldry (coats of arms) and profane images (Mythology) were widely used.
Can you describe the creation process of a piece, like The Kiss? In both subject and form?
The longest part of the process is the painting. Once trace lines have been added and fired, it is the shading and detail that take up the time. With shading, unlike painting on canvas - where paint is carefully applied to the canvas - in stained glass it is roughly applied and removed carefully using a variety of different techniques. Each layer of shading is then fired at about 650Ã‚Â°C. Enamels are applied last because they have a lower fusing point, a mere 630Ã‚Â°C.
Next the glass is leaded up on top of the original cartoon, following the original lead lines. This ensures the planned lead lines are followed exactly. Once leaded the joints are soldered on both sides. This is the best of the process, for this is when you can finally hold up the entire panel and see it against the light.
Finally, the glass and lead are cemented together with a special putty, making them weather proof for around 100 years. The window is then cleaned, brushed and polished and ready for fitting. Sometimes the panels are fitted in to a window or on to a light box or with some projects I work on, in collaboration with other artists, in to another structure.
Gilbert & George are famous for their stained glass "inspired" homo erotic images. What do you think of their work?
Can we expect more of your erotic work in the near future? any shows planned where people can see them in real?
What websites you think are relevant to your work, or a generally interesting?